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The official music video for “YYZ” from ‘Moving Pictures.’ Celebrate 40 years of ‘Moving Pictures’ with the 2015 album remaster + the complete, unreleased Toronto/YYZ concert from March 25, 1981. Order your copy of 'Moving Pictures (40th Anniversary)' here: 🤍 Subscribe and ring the bell to never miss an update: 🤍 Follow Rush: Facebook: 🤍 Instagram: 🤍 Twitter: 🤍 #Rush #MovingPictures #YYZ
"YYZ" is an instrumental rock piece by Canadian rock band Rush, from the 1981 album Moving Pictures. Following its initial release, it became one of the band's most popular pieces and has been a staple of the band's live performances.
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The story of why it took me over a month to upload this video - So, a few months ago someone sent me a digitized copy of the ASOH Laserdisc from back in the day, and to my surprise the audio was drastically different than the DVD sourced clips that we are accustomed to seeing on Youtube. Though not perfect, it had exponentially more dynamic range than the 2006 re-release, was a lot crisper and less twangy, but the two most significant things I noticed were the drums and Geddy's vocals. Though the cymbals and toms are mostly mixed too low in my opinion, the kick and snare slammed much harder than I was used to. More surprising was that handful of Geddy's vocal lines that are auto-tuned on the DVD were not a product of the late '80s that hadn't aged well as I previously assumed, as there is no autotune in the original mix at all. Even weirder, the vocals that had autotune applied to them on the DVD not only sounded better originally, but they were totally in tune, so I have no idea why they were touched at all. First came the audio, which at first was going to be an all-laserdisc remaster, but the drums sounded too incomplete so I tried something I've never done before which was cutting out a range of frequencies from the Laserdisc, between about 200hz and 6khz (basically carving out the middle spectrum) and replaced it with DVD audio, to gain a lot of the drum tone without losing the punch and crispiness of the Laserdisc kick and snare. I was surprised that it worked, and lucky it did because just layering the two versions together as-is resulted in phasing problems that I could not resolve. (When you try and combine two audio sources that are nearly identical, any sounds that are the same in both versions can just cancel each-other out, which was the case here, usually it's possible to move things around on the scale of a fraction of a millisecond and make it work but not in this case). The one downside to this is that Neil's cymbals, mainly his ride, are quieter than the DVD, but I thought it was worth the trade-off. Then came the video, and I was not prepared for the dark side of this innocent looking DVD. It features what appears to be actual film rather than digital video tape that we see on virtually every classic live Rush release, which can look excellent, but can be nearly impossible to work with. The framerate actually changes whenever digital elements / overlays are on-screen, the DVD runs at 29.97 fps, but the film runs at 24fps. Even knowing this, I kept trying to convert the video to 24fps for this track, but this only messed up the video in very subtle ways that I couldn't really detect until it was too late and I had already enhanced most of it. I tried converting the jittery looking video to every possible format, all the way up to 120fps, yet something still just looked wrong despite me not being able to put my finger on it until weeks later when I realized the process wasn't working right and though I was seeing 24 moving frames a second, the movement of everything was fluctuating a couple times a second, which looked really weird during normal speed playback, yet I couldn't understand why exactly. After going back to square one over and over and trying different settings, and deleting massive amounts of already partially enhanced video, I finally discovered that one little de-interlacing setting was causing this, and I finally managed to get a decent 24fps conversion. I thought the hard part was over but I had no idea, I kept finding duplicate frames during editing which had to be cut out, but I couldn't change the length of the overall video so I would either fill in the gap by taking both frames on either side of the duplicate and blending them together so it would be almost undetectable, or would make make up for the gap at the next camera cut, making little fades and micro black fade transitions. I can't imagine anyone is going to still be awake by this point, so bravo for somehow getting through this long nonsensical rant. Unfortunately, this ended up only being the beginning of the issues I ran in to this time. For unknown reasons, the contrast and colors in this video seem to refuse to look the same on different screens, so I uploaded and deleted about 15 versions of this until I got one that seemed OK-ish. By this point the project file was so bloated my video editor started buckling under the weight of it and would randomly black out for one or more moments in the final render, resulting in days of trying again until I finally won the render lottery and one of them didn't come out disfigured... All in all, many painful lessons were learned here that hopefully will make the next upload a breeze by comparison.. hopefully...
Online Guitar Courses - 🤍 JTC Guitar - 🤍 Rush's classic instrumental "YYZ" (Mercury) covered live by the Martin Miller Session Band and very special guest Paul Gilbert. All Martin Miller Session Band live sessions are recorded at Weltklang Tonstudio in Plauen, Germany and are created with the support of the community. We do not monetize these videos, all ads are placed by Youtube, therefor we need your help! Please consider becoming a Patreon for this project if you love what we do, it will ensure that we can release Session Band videos on a regular basis, increase the production value and bring on many more amazing guests. Find out more on: 🤍 Big thanks go out to the following Patreons - Markus Weiler, Christian Clemens, John Stone and George Alexandre! For one-time donations please consider my gofundme campaign: 🤍 Credits: Martin Miller - Guitar Paul Gilbert - Guitar Marius Leicht - Keyboards Benni Jud - Bass Felix Lehrmann - Drums Nico Schliemann - Human Capo Johannes Plank - Director & Camera Torsten Solberg - Recording Engineer Andre Gorjatschow, Manuel Renner, Martina Blazeska, Daniel Espitia - Cameras Ulrich Wichmann - Camera Assistant Audio Mix & Video Edit - Martin Miller Special thanks to Klotz cables for providing the entire session with cables and Universal Audio for providing Paul the UA Ox! Klotz Cables - 🤍 Ox by Universal Audio - 🤍 Websites: Weltklang Tonstudio - 🤍 Benni Jud - 🤍 Martin Miller - 🤍 Find my extensive range of guitar courses and masterclasses for all levels of guitar players here - Online Guitar Courses - 🤍 JTC Guitar - 🤍 Find my signature Ibanez guitar here - 🤍 I do not own any of the rights to this composition. Thanks for watching! #martinmillersessionband #paulgilbert #rush
This DVD has been my biggest challenge yet in terms of finding a way to improve it. It is one of my least watched Rush DVD's and it's a known fact that there were some issues recording this show and it's a miracle it was recorded at all. As a drummer a big reason why I don't watch the original much is the drums came out really weird, thin, clicky and almost MIDI sounding, so the only way I was going to tackle Rio was if I could improve that. Long story short, I found a way to extract the drums, duplicate them, use various effects on the additional track to try and add missing frequencies and ambience lost in the original mix. Additionally I tried to remove all crowd noise from the rear surround channels and what I found under that was some of the drum ambience / overhead mic audio, so I also tried to smooth it out and layed that on top of everything, among other various things I did with the audio like making a new stereo mix from the DTS-HD Bluray disc I own with less intense crowd noise and more focus on the instruments, from there I just used trial and error with all sorts of plugins in FL studio. As for the video, it was also a big challenge due to the fact that there seemed to be all sorts of cameras shooting all sorts of resolutions and lightings, and that is very unusual and makes improving the overall video nearly impossible. So I broke the video down in to three resolutions and used different upscaling algorithms on each one, then stitched them together, which actually wasn't quite as hard as I thought. Anyway, not sure how many songs i'll try and do off this show because of the amount of work, but at least I have the templates now that I could use again and speed up the process. If there was any song that deserved to be remastered from this show it was YYZ because of it's reputation, so at least we got that.
Provided to YouTube by Universal Music Group YYZ (Live In Canada / 1980) · Rush Exit ... Stage Left ℗ 1981 Mercury Records, a Division of UMG Recordings, Inc. Released on: 1981-01-01 Producer: Terry Brown Studio Personnel, Engineer: Broon Studio Personnel, Mix Engineer: Paul Northfield Composer Lyricist: Neil Peart Composer Lyricist: Geddy Lee Auto-generated by YouTube.
✅ DOWNLOAD Guitar TAB/SHEET (High Quality PDF) + Guitar BACKING TRACK (High Quality MP3): 🤍 = ⚡️ How to play YYZ by RUSH on GUITAR. Alex Lifeson GUITAR LESSON. The video contains the GUITAR COVER with TABS / SHEET on screen. = 👉🏻 SUBSCRIBE to my channel 🤍 Every week new GUITAR / BASS lessons on riffs, solos, rhythm, lead, techniques, songs...!!! 🎵 🤍 = #rush #yyz #tab = GUITAR: GIBSON SG 61 Reissue = YYZ RUSH YYZ RUSH GUITAR YYZ RUSH GUITAR TAB YYZ GUITAR TAB YYZ GUITAR LESSON YYZ GUITAR HOW TO PLAY YYZ ON GUITAR YYZ GUITAR TUTORIAL RUSH YYZ TABS RUSH GUITAR TABS RUSH GUITAR TAB RUSH YYZ COVER RUSH YYZ GUITAR COVER YYZ GUITAR ONLY MATT TEN RUSH YYZ GUITAR TAB GUITAR LESSON HOW TO PLAY GUITR COVER GUITAR TUTORIAL
#rush #yyz I wonder what’s the reason(s) why I connect so well with Rush… This is the second piece of music of theirs that I’m interacting with and I found my self enjoying so much both their musical ideas as well as the level of complexity and performance. Here’s the link to the original song by Rush: 🤍 _ If you want me to do a First Listen and In-depth Analysis of YOUR song of choice, or if you want an exclusive 1:1 session where I can answer your questions, dig deeper into a topic, or even coach you in your musical experience, such as a music theory, piano, or harp lesson, singing, music reading, etc, follow this link: 🤍 If you want more, join my Patreon: 🤍 Twitter: 🤍 Instagram: 🤍 Facebook:🤍 Special thanks to those who are keeping my ko-fi cup supplied: I’ve formed the habit of publishing all the names of my supporters simply because I appreciate your appreciation of my work, and I want to recognize each one of you personally. But, unfortunately, YouTube allows a limited number of characters for the description, and I cannot fit all names anymore. So, this is my message to each one of my supporters personally: THANK YOU! _ Amy Shafer, LRSM, FRSM, RYC, is a classical harpist, pianist, and music teacher, Director of Piano Studies and Assistant Director of Harp Studies for The Harp School, Inc., holds multiple degrees in harp and piano performance and teaching, and is active as a solo and collaborative performer. With nearly two decades of teaching experience, she teaches privately, presents masterclasses and coaching sessions, and has performed and taught in Europe and USA. _ Credits: Music written and performed by Rush This video may contain copyrighted material whose use has not been specifically authorized by the copyright owner. VirginRock is using this material for educational, critical, research, and commentary purposes in our effort to promote musical literacy and understanding. We believe that this constitutes a “fair use” of the copyrighted material as provided for in Title 17 U.S.C. Section 107 of the Copyright Act 1976, which provides allowance for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. If you wish to use this copyrighted material for purposes of your own that go beyond “fair use”, you must obtain permission from the copyright owner. If your copyrighted material appears on this channel and you disagree with our assessment that it constitutes “fair use”, please contact us.
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One of the tracks missing on the original DVD release of R30 but present on the BluRay version, for your enjoyment! These are video files downloaded from the RUSH Official site section of the release of R40 set.
NEXT TRACK: Vital Signs / Finding My Way / In The Mood (Medley) - 🤍 Enjoy a new and improved restoration of the Grace Under Pressure live video! Upgraded using state of the art AI tools. The following remastering work was performed on the DVD version by yours truly: 1.Deinterlaced + noise & grain 90% removed 2.Video upscaled to HD using machine learning (Obviously to a limited extent when working with such rough source material) 3. Motion enhanced from 30fps to 60fps for smoothness 4. Audio re-balanced using the FLAC CD version 5. Video and audio rendered in 1080p with audio at 512kb/s quality A couple years ago it was inconceivable that a video source like this could be improved this much, and with the rate that these AI programs are advancing it is likely we will be able to have 4k re-creations of footage like this in maybe five years.
This channel has never been monetized and these projects are community driven. so if you would like to contribute to the time it takes to edit all these videos I am now graciously accepting Paypal tips (safe and secure) to maximize the hours I can invest in learning and investing in the latest tools and hours required to experiment and modernize older footage: 🤍 Thank you! NEW FAR SUPERIOR REMASTER OF THIS FOOTAGE: 🤍
"YYZ" (pronounced "Why-Why-Zed") is the third song from the band's eighth studio album "Moving Pictures" which was recorded in October & November 1980 and released on February 12, 1981. YYZ is the IATA airport identification code for Toronto Pearson International Airport, of Rush's native area of Toronto. It is common practice for air navigation aids to broadcast their identifier code in Morse code using VHF omnidirectional range (VOR). A plane using VOR equipment would then always know it's tracking the right station. The song's introduction, played in a time signature of 10/8 repeatedly renders the letters "Y-Y-Z" in Morse Code. (YYZ = -. -. .. in Morse Code) These codes are also written on your luggage tags when you fly. The band was introduced to the rhythm as Alex Lifeson flew them into the airport. Peart said in interviews later that the rhythm stuck with them. "YYZ" is structured on the sectional arrangement of A-B-C-B-A (with each of these sections containing smaller subsections). The song starts with the YYZ Morse Code played by Peart on the crotales (A). The guitar and bass join this pattern, using the dissonant interval of the tritone (also known as the augmented 4th or diminished 5th) to distinguish Morse Code dots and dashes. The guitar and bass render the code by playing the root note of C for the "dashes" and the tritone F# for the "dots". In live performances, the synthesizer part is played by bassist/keyboardist Geddy Lee using a pedal MIDI controller (Korg MPK-130 & Roland PK-5) while he simultaneously plays the bass part. After two cycles of the melody, the synth ceases, and the bass drops one octave, the introduction ending on the guitar, bass, and drummer making hits on only the "dashes". A brief (one measure of two-four time; i.e., a half-note rest) pause follows, before the next section. The next section features the guitar, bass, and drums playing stop time scale runs for three measures in melodic and rhythmic unison. The first two measures of this section follow scale patterns in several keys, before resolving to set up the key of the following section. The next pattern follows a verse structure, going from an F sharp minor (F# blues scale) tonality to a Am (A blues scale) tonality and back again. Alex Lifeson then introduces another theme, this time in a B mixolydian tonality, while Geddy plays supporting bass notes which follows the new chord progression. The chord progression is B7 to C major with each player's part interacting with the other melodically and rhythmically. In the next section (C), the guitar provides structure with rhythmic B7 and C7 chords, with the bass and drum trading fills at the end of each section. After the final, extended drum fill, the guitar solo is based on the 5th mode of E Harmonic Minor, sometimes called B Phrygian dominant, amongst other names. As the B major and C major chords are the V and bVI chords of the key of E minor this is a brilliant musical deduction on Alex's part, as using this scale helps him to achieve a seamless integrated tonality in the solo (and quite exotic sounding too), rather than basing his solo lines on a more jagged, tonally clashing approach, such as basing his lines on alternating B mixolydian and C mixolydian (He does this, interestingly enough on his solo in The Camera Eye, although using Db and C major/mixolydian scale lines, to great, seamless success). The solo climaxes with a legato, descending guitar lick followed by a soaring synthesizer break accompanied by equally soaring guitar lines. Following this section, the song returns to the earlier sections introduced in the song, after which it ends in a musical run with rhythmically synchronized bass and drums (with the guitar sustaining its last note from the previous section), a short reprise of the odd time tritone intro, and finally- by using the F# note in the tritone riff as a dominant (V) of sorts- the song's final cadence is a 4-note descending B minor pentatonic scale in unison by bass, guitar, and rhythmically by drums, ending on a B note to close the song. Per Geddy: "Pretty much it’s about coming back home. It’s that call to home. Being a band that spends so much time on the road, whenever we would check-in for that flight home, we’d see that YYZ on our ticketed bags and it was always really exciting. We’re coming home. We wanted to put together a song about that. Even though it’s instrumental, it’s about our town, kinda where we came from. Good to come home." * The crashing noise you hear between the breaks of the guitar solo is the sound of wind chimes tied to a 2x4 slapped against a wood table. The band confirmed this in an interview on WNEW New York in the winter of 2002. * YYZ was nominated and was the runner up for the Best Rock Instrumental award in the 1982 Grammys. It (amazingly) lost to The Police's "Behind my Camel." Alex Lifeson - Guitar Geddy Lee - Vocals, Bass, Synthesizers Neil Peart - Drums, Percussion #MysticRhythmsLive
4K - Taylor Hawkins Tribute - Geddy Lee, Alex Lifeson with Danny Carey w/HQ Audio - YYZ (Rush) - 2022-09-27 - The Forum, Los Angeles, CA Video: Panasonic ZS100 Audio: Church Audio CA14c / Battery Box / Sony PCM-A10
De su DVD A Show Of Hands. En buena calidad Para mi es la mejor version de YYZ que hay, en especial por el solo de Neil que es de los mejores ha hecho. No lo encontre aqui en buena calidad, asi que lo subo para que lo disfruten como se debe! Saludos!
I was chomping at the bit to do another Rush reaction video, so here we are with another analysis! “YYZ” is forever my favorite 🤍rush song, which is the iconic instrumental masterpiece from their album “Moving Pictures” released in 1981. This record has it ALL and showcases Geddy, Alex, and Neil firing on all cylinders (okay, they do that on just about every album.) In my eyes, this is a benchmark track that all bass players should take a stab at - it requires some seriously well-rounded chops to execute. In this video, I listen through “YYZ” and talk about how Rush break all the rules with music theory and chord progressions, their insanely-clever usage of modal scales (whether they knew it or not), tips on executing the track’s most difficult bass licks, why (and how) the song achieves such a lively “Blues Jam” feel, the bridge section’s use of pedal tones and chord inversions, and how the whole dang track is one big ball of unresolved tension - just like airports! 😉 - 🚨New Videos Every Week🚨 - Mark Michell is an internationally-touring and recording bass player known for his work with Scale the Summit, Tony MacAlpine, Tetrafusion, Watermox, and more. Michell is a published educator and author for Hal Leonard, the world's largest music publisher, and has taught bass clinics around the globe for many years. He has played on several Billboard-charting album releases and is endorsed by Jackson Basses, EMG Pickups, and Dunlop. - 👉Original Video: 🤍 👉My Reaction to "FREEWILL" by RUSH: 🤍 👉Want to write great bass lines and grooves? Purchase my book "ADVANCED ROCK BASS" from Guitar Center: 🤍 ⬇️ GEAR: Jackson Spectra JS3QV: 🤍 EMG 40 P/J Soapbars: 🤍 Dunlop Nickel Super Brights: 🤍 Panasonic Lumix G7: 🤍 PreSonus Revelator io24: 🤍 Shure SM7B: 🤍 Shure SE215: 🤍 Gator Frameworks 2000: 🤍 Elgato Key Light: 🤍 Rosetta Galaxy Projector: 🤍 *Please note that these are affiliate links. I make a small commission fee from Amazon for each purchase, which helps support the channel! ⬇️ CONNECT: 🖥 300+ Bass Lessons | 🤍 📸 Instagram | 🤍 ♫ Tik Tok | 🤍 📘 Facebook | 🤍 📚 Tabs/Instruction Books | 🤍 ⭐️JOIN MY CHANNEL: 🤍 📺 WATCH MORE: ▶️ Reacting to PRIMUS: 🤍 ▶️ Reacting to DREAM THEATER: 🤍 ▶️ Reacting to METALLICA: 🤍 #YYZ #Rush #GeddyLee #NeilPeart #AlexLifeson #MovingPictures #RushReaction #LowEndUniversity - Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, commentary, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational, or personal use tips the balance in favor of fair use. The original work played in this video has been significantly transformed for the purpose of music education.
* KevanFnRoy is returning to YouTube! Check it out - 🤍 s! An iconic song by Rush. Sped up by about 15bpm over the studio version, and totally KFR'd!! \m/ \m/ Please share this video! 🤍 All rights to this song belong to the original artist. GO SUPPORT THEM!!
Apakah anda ingat dengan game yang satu ini ? Sudah tak lazim lagi dengan yang yang satu ini , selain game perusak Stik game ini juga bisa membawa anda dalam tantangan diri sendiri dan seberapakah kuatkah anda dengan ke frustasiannya ? btw Berapa Stick yang anda rusakan Hari INI ! SPEC PC Processor: Intel(R) Core(TM) i5-4570 CPU 🤍 3.20GHz (4 CPUs), ~3.2GHz RAM : 8096MB RAM VGA : AMD RADEON RX 550 4 GB MOBO : H81 ABAL2 PSU : 500W KW WINDOWS : 1O #guitarhero #guitarhero2extreme #yyzguitarheroexpert #perusakstik #yyz #universalmind #liquidtensionexperiment #yyzguitarhero2extreme Original Song : liquidtensionexperiment - universalmind 🤍LTEMusic1997
Rush "YYZ" performed by The Classic Rock Show. Recorded live in Cambridge, England, 23rd May 2023. For The Classic Rock Show Tour Dates and Information, please visit: 🤍 🤍 Creative Director - James Cole Recording, Mixing Engineer - Andrea "Pelle" Pellegrini Mixed and mastered at Studio Larione10 - Florence (IT) Director - Dennis Madden for Koala TV Musical Director / Guitars - James Cole Lead Guitars - Pete Thorn Drums - Tim Brown Bass & Vocals - Wayne Banks Keys & Vocals - Henry Burnett Lead Vocals & Keys - Jess Harwood Lead Vocals & Guitar - Jesse Smith Lead Vocals - Rudy Cardenas Live Sound - Andrea Pellegrini & Andy Hague Monitors - Andy Greenwood Lighting Designer - Pete Watts Production Electrician - George Russell Lighting Technician - Rosie Jane Lighting Technician - Kiera Clarke Makeup - Bea Toivonen
I converted this to BluRay so it would show up on YT in the larger window, but it got distorted and less clean looking. I've tried several different formatting options and none of them look as good as this version. This version is as good as it gets. This is the Hi-Def version from Bobbysbrane.com View the regular version on my site and compare the difference in audio and video quality. Please Rate this video and leave a comment. Go check out the guy who created this video at bobbysbrane.com and see his other stuff and learn a bit about the making of this video. The amount of time and effort he put into this shows in the results. This video is owned by bobby and was made available to me via his website.
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RUSH - YYZ |REACTION| HOW DO THEY EVEN DO THAT?! Welcome to Rob Squad Reactions This is a music reaction channel. My passion is being a content creator, and providing my audience with unique, funny, and never before seen reaction videos. I have come to grow a love for all types of music from my beloved rap to heavy metal and I want to share that love with all of you. Being a content creator is my passion and it brings me so much joy and being able to share my passion and joy with all of you and grow as a community is an amazing feeling. In addition to reacting to all different types of music, I am also a a husband to my amazing wife Amber and a dad to 3 amazing kids Bria, Kiya and Luca and also a Public school teacher. I am here to try and make a change in this world starting with something that brings us all together MUSIC!! You are LOVED, you are APPRECIATED, you are BLESSED!!! Love Jay and the Rob Squad ╔═╦╗╔╦╗╔═╦═╦╦╦╦╗╔═╗ ║╚╣║║║╚╣╚╣╔╣╔╣║╚╣═╣ ╠╗║╚╝║║╠╗║╚╣║║║║║═╣ ╚═╩══╩═╩═╩═╩╝╚╩═╩═╝ If you enjoy this video and my reactions make sure you subscribe to the channel, like the video and comment down below which video you would like to see me react to next. MY Family Channel (The Rob Squad): 🤍 2021 Goals 1.100K Subscribers 2. Be On a radio/ Talk show as a guest 3. Upload 1000 videos This is a reaction video used to educated and give my feedback on the song and artist ||COPYRIGHT DISCLAIMER – 🤍 UNDER SECTION 107 OF THE COPYRIGHT ACT 1976, ALLOWANCE IS MADE FOR "FAIR USE" FOR PURPOSES SUCH AS CRITICISM, COMMENT, NEWS REPORTING, TEACHING, SCHOLARSHIP, AND RESEARCH. FAIR USE IS A USE PERMITTED BY COPYRIGHT STATUTE THAT MIGHT OTHERWISE BE INFRINGING. NON-PROFIT, EDUCATIONAL OR PERSONAL USE TIPS THE BALANCE IN FAVOR OF FAIR USE. ||DISCLAIMER ALL VIDEOS ARE FOR ENTERTAINMENT/ NEWS PURPOSES PROTECTED BY FAIR ACT FAIR USE COPYRIGHT DISCLAIMER UNDER SECTION 107 OF THE COPYRIGHT ACT 1976, ALLOWANCE IS MADE FOR “FAIR USE” FOR PURPOSES SUCH AS CRITICISM, COMMENT, NEWS REPORTING, TEACHING, SCHOLARSHIP, EDUCATION AND RESEARCH. FAIR USE IS A USE PERMITTED BY COPYRIGHT STATUTE THAT MIGHT OTHERWISE BE INFRINGING. NON-PROFIT, EDUCATIONAL OR PERSONAL USE TIPS THE BALANCE IN FAVOR OF FAIR USE. License Creative Commons Attribution license (reuse allowed) *Copyright Disclaimer Under Section 107 of the Copyright Act 1976, allowance is made for "fair use" for purposes such as criticism, comment, news reporting, teaching, scholarship, and research. Fair use is a use permitted by copyright statute that might otherwise be infringing. Non-profit, educational or personal use tips the balance in favor of fair use. No copyright infringement intended. ALL RIGHTS BELONG TO THEIR RESPECTIVE OWNERS*.
My name is Yoyoka, I'm a 10 year old drummer from Japan. I have a lot of respect for Neil Peart❣️ I am sorry he has gone to heaven, but I would like to dedicate a cover of this wonderful song to him🥁 R.I.P. #Rush #YYZ #NeilPeart 🥁Do you want to support my Channel? Sign up as a Yoyoka Friendship Member: 🤍 I'm now accepting donations via PayPal 🤍 ※PayPalで活動支援を受け付けています。 ✨YOYOKA Website✨ 🤍 🌟I went to Los Angeles to appear at The Ellen DeGeneres Show❗️ ●1st time 🤍 ●2nd time 🤍 🥁Drummer Yoyoka’s Profile🥁 Born in October 2009. She started playing drums at the age of two,appearanced on live at the age of four, and formed the family band "Kaneaiyoyoka" at the age of five. Released 1st CD at 6 years old while in kindergarten. Not only drums but also songwriting, vocals and piano. In 2018, she became the weekly champion at the youngest age of 8 in the section under the age of 18 in the global female drummer contest "Hit Like A Girl". An application video that covered Led Zeppelin's "Good Times Bad Times" was featured in NBC, NPR, Rolling Stone magazine and Billboard in the US, and spread all over the world. Robert Plant from Led Zeppelin, Chad Smith from Red Hot Chili Peppers, Sheryl Crow, Gene Simmons and Eric Singer from KISS, Kim Gordon from Sonic Youth, Hayley Williams from Paramore, Sass Jordan, Tony Royster Jr., Rage Against the Machine's drummer Brad Wilk, Jamiroquai's drummer Derrick McKenzie and others have praised her. At the age of eight, she appearanced in Japan's famous rock festival "RISING SUN ROCK FESTIVAL in EZO"as the youngest ever and made a surprise appearance on the stage of Fall Out Boy in "Summer Sonic Tokyo". Their collaboration heaped up 20,000 audience. Received an offer from Cyndi Lauper, played two songs as a guest drummer at the performance at Tokyo Orchard Hall on the last day of Cyndi Lauper’s Japan tour. Also, she has been selected as a commercial for world-class brands such as Nike, Moncler, and UNIQLO. Filming was also done in Thailand and New York, and received a great response from all over the world. She made two appearances in The Ellen DeGeneres Show in LA in January and May 2019 and was praised by Dave Grohl from Foo Fighters. Also, the first overseas live at the long-established live house "Whisky A Go Go" in Los Angeles was a great success. In April 2019, she was selected as Newsweek Japan's "100 Japanese people respected by the world", the youngest in history. At the age of eight, she made endorsement contract with drum makers Pearl and VIC FIRTH,as the world's youngest,and also made endorsement contracts with Zildjian, CYMPAD and DW. At the Pearl booth of the world's largest musical instrument show "NAMM Show" held in Anaheim in 2020, she performed as the youngest female, only Japanese drummer. The impact of "Yoyoka" continues to spread to the world. Her favorite drummers are John Henry Bonham, Chris Coleman, Nate Smith, Chad Smith and David Grohl. Her dream is to travel around the world and have sessions with people all over the world. Her recently dream is to play at the Tokyo Olympics.
Yyz Presents Latest Punjabi Song YYZ by Manni Gill Ft Shail Sharma. Track Credits Song: YYZ Singer: Manni Gill Lyrics/composer: Manni Gill Music: GillSaab Mix & Master: Sickboibeatz Video Director: Sagar Kanda Editor: Sahil Kanda/Sagar Kanda Producer: YYZ Official Promotion: DesiBro Official Label: Yyz presents Enjoy the track & don't forget to like and share your feedback in comments. YYZ (Official Video) Manni Gill | GillSaabMusic | Sagar Kanda | New Punjabi Song 2023 👉 Spotify: 🤍 👉 Apple: 🤍 👉 Amazon Music: 🤍 #yyz #mannigill #panjabisong #Btown #Rubicon #california #gabru #shailsharma #chargers #challenger #mustangs
Learn guitar with Guitar Tricks! 2 week FREE trial here - 🤍 Below is the gear I use to make these videos. They redirect to Amazon and provide me with a small commision should you purchase any of these things. ▶Equipment I'm using right now◀ Camera - 🤍 (4k Camera with great AutoFocus) Microphone - 🤍 (Perfect for acoustic instruments recording) Interface - 🤍 (Best way to connect microphones to PC) LED Video Light and Stand - 🤍 (Great lighting is a most) Guitar Support - 🤍 (Great for the back and posture) Strings - 🤍 (Personal favorites) Rush Reaction: Classical Guitarist react to Rush -YYZ Live (Rio) Today I will be reacting to Rush -YYZ Live (Rio). Lets continue with the Ruch marathon! This video is going to include some insights and personal opinions. Original Video: 🤍 FREE Great Fairy Fountain Guitar Tab PDF and MP3! 🤍 My Backtracks: 🤍 🔥Free Access to the Guitar Tab🔥 👉🤍 1️⃣Patreon 👉 🤍 2️⃣Spotify 👉🤍 3️⃣Discord 👉🤍 Disclosure: Some of the links in this description are affiliate links, and I will receive some compensation if you decide to purchase the product. This does not add any additional cost to you. The channel is independently owned and the opinions expressed here are my own! #guitar #Rush #reaction (This video is about: Rush Reaction: Classical Guitarist react to Rush -YYZ Live (Rio),rush YYZ reaction,rush,rush reaction,rush YYZ,YYZ rush,reacting to rush,reaction to YYZ,reaction to rush,neil peart reaction,rush reaction videos,rush reactions,react rush,reaction rush,react to rush,rush band reaction,YYZ,YYZ reaction,rush live reaction,yyz live in rio,rush yyz live in rio,rush yyz rio,yyz live in rio reaction,rush yyz live rio reaction,yyz rush reaction,rush in rio)